Delis Alejandro, (310) 566-1530 or   

L.A. has 5 Seasons: We have Oscar® Season Too!

You don’t have to be a Film Club regular to know that the Oscars® are a definite part of the calendar in L.A. The season is full of anticipation—who’s nominated…who’s been shunned, unending promotions about nominated films, the arrival of “screeners” for many in the entertainment industry, luncheons for nominees and, of course, the big glittering awards ceremony with its famous red carpet. With all this falderol, how could the Film Club be satisfied with just one Oscar Night? We can’t! You’re invited to two—yes, two—Oscar celebrations this season.

• Thursday, Feb. 10 | on Zoom | 7 p.m. 
  Back by popular demand! Join us for “And the winner should have been…” as panelists argue why that their favorite films should have won the Oscar in the year they were nominated. See if you agree…and share your thoughts about when Oscar got it wrong. The Film Club is set to rewrite Oscar history but once again.
• Thursday, Mar. 3 | In-person | 7 p.m.
  Our favorite night of the Film Club season (pre-pandemic) was the night when we would watch trailers of the nominated films for the upcoming Oscars, discuss the films and even vote for what we thought was the year’s Best Picture. Now, we’re back with that very special Hollywood night.

Promotions will be arriving in your e-mail prior to the events. Fr. David Guffey and the Film Club Team look forward to sharing these fun evenings with you.

What a perfect time for some Oscar® trivia!

Who hosted the most?—Of the more than 80 individuals who’ve hosted or cohosted the Academy Awards®, the one who stood centerstage the most was Bob Hope with 19 appearances.

Big time winners—Katherine Hepburn with four Best Actress Oscars heads the leaderboard. For the men, Daniel Day Lewis is at the top with three Best Actor Oscars. The director with the most wins is John Ford with four Oscars. Edith Head, costume designer, won more Oscars than any other woman—eight over her storied career.

But, folks, the mouse rules—The person who took home more Academy Awards than anyone is Walt Disney. He won 26 Oscars, four of which were honorary awards, and he also holds the record for the most nominations—59. His biggest night was in 1954 when he won Oscars for the films The Living Desert, Bear Country, The Alaskan Eskimo, and the cartoon short Toot, Whistle, Plunk and Boom.

Home sweet home—All Oscars ceremonies have been held in Los Angeles; however, a tandem ceremony was televised from Manhattan (1953 to 1957) to accommodate stars appearing on Broadway. Both Shirley Booth (Come Back, Little Sheba) and Audrey Hepburn (Roman Holiday) received their Oscars in New York after rushing to the ceremony from the stage. The Oscars were held in LA hotel ballrooms before moving to the Grauman’s Chinese Theater in 1944. Later venues included the Shriner Auditorium, Dorothy Chandler Pavilion, Pantages Theater, Santa Monica Civic Center and Kodak (renamed Dolby) Theater.

Taking a closer look at Oscar—Oscar is an excellent example of art deco, very popular when he was created in the late 1920s. Oscar is a knight holding a sword. He stands on a movie reel with quadrants representing five Academy disciplines—producers, directors, actors, technicians and writers. Oscar is 13 ½ inches high, weighing in at 8 ½ pounds. He’s made of solid metal that’s been gold plated. During World War II when metal was scarce, Oscar was made from painted plaster. These faux statuettes were exchanged for the real thing once the war was over. The Oscars handed out in 1929 are essentially the same as the ones awarded since.

Is Oscar really Oscar?—Actually, he’s formally known as the Academy Award of Merit. He has been handed out over 3,000 times since the first Academy Awards. The Academy website gives credit for his nickname to a former senior staff member, who upon seeing the statuette, commented that he “looked like her Uncle Oscar.” The name stuck.

The envelope, please!—Up until 1941, the Oscars didn’t have ceremonial envelopes containing the results of Academy voting. In fact, winners at the first ceremony in 1929 knew three months in advance that they’d won. The Academy began to keep the results secret in 1930 but pre-released them to the press for publication the next morning. In 1940, the LA Times did the unthinkable: It published the results before the guests even arrived. After that, the now famous sealed envelopes became standard.

Times have changed—The first Oscar ceremony lasted 15 minutes. The average Oscar telecast is three and half hours. How many times have you asked, “Did you stay up?”

Film Directing: Three Parts

Even though he or she may not actually say, “Lights, camera, action,” a film director (and his or her famed folding chair) are the heart and soul of a movie. The film director visualizes the script and controls the dramatic, other artistic and technical aspects necessary to bring his or her vision to the screen. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking.

Film Club! Get ready to focus on three contemporary film directors as part of this season’s Art of Cinema series on ZOOM. We’ll be looking at three films, each influenced by their directors’ life experiences:

Spike Lee: Do the Right Thing (1989)
Thursday, Nov. 11

Greta Gerwig: Lady Bird (2017)
Thursday, Jan. 13

Lee Isaac Chung: Minari (2020)
Thursday, Apr. 7 

Delis Alejandro, (310) 566-1530 or   

L.A. has 5 Seasons: We have Oscar® Season Too!

You don’t have to be a Film Club regular to know that the Oscars® are a definite part of the calendar in L.A. The season is full of anticipation—who’s nominated…who’s been shunned, unending promotions about nominated films, the arrival of “screeners” for many in the entertainment industry, luncheons for nominees and, of course, the big glittering awards ceremony with its famous red carpet. With all this falderol, how could the Film Club be satisfied with just one Oscar Night? We can’t! You’re invited to two—yes, two—Oscar celebrations this season.

• Thursday, Feb. 10 | on Zoom | 7 p.m. 
  Back by popular demand! Join us for “And the winner should have been…” as panelists argue why that their favorite films should have won the Oscar in the year they were nominated. See if you agree…and share your thoughts about when Oscar got it wrong. The Film Club is set to rewrite Oscar history but once again.
• Thursday, Mar. 3 | In-person | 7 p.m.
  Our favorite night of the Film Club season (pre-pandemic) was the night when we would watch trailers of the nominated films for the upcoming Oscars, discuss the films and even vote for what we thought was the year’s Best Picture. Now, we’re back with that very special Hollywood night.

Promotions will be arriving in your e-mail prior to the events. Fr. David Guffey and the Film Club Team look forward to sharing these fun evenings with you.

What a perfect time for some Oscar® trivia!

Who hosted the most?—Of the more than 80 individuals who’ve hosted or cohosted the Academy Awards®, the one who stood centerstage the most was Bob Hope with 19 appearances.

 

Big time winners—Katherine Hepburn with four Best Actress Oscars heads the leaderboard. For the men, Daniel Day Lewis is at the top with three Best Actor Oscars. The director with the most wins is John Ford with four Oscars. Edith Head, costume designer, won more Oscars than any other woman—eight over her storied career.

 

But, folks, the mouse rules—The person who took home more Academy Awards than anyone is Walt Disney. He won 26 Oscars, four of which were honorary awards, and he also holds the record for the most nominations—59. His biggest night was in 1954 when he won Oscars for the films The Living Desert, Bear Country, The Alaskan Eskimo, and the cartoon short Toot, Whistle, Plunk and Boom.

 

Home sweet home—All Oscars ceremonies have been held in Los Angeles; however, a tandem ceremony was televised from Manhattan (1953 to 1957) to accommodate stars appearing on Broadway. Both Shirley Booth (Come Back, Little Sheba) and Audrey Hepburn (Roman Holiday) received their Oscars in New York after rushing to the ceremony from the stage. The Oscars were held in LA hotel ballrooms before moving to the Grauman’s Chinese Theater in 1944. Later venues included the Shriner Auditorium, Dorothy Chandler Pavilion, Pantages Theater, Santa Monica Civic Center and Kodak (renamed Dolby) Theater.

 

Taking a closer look at Oscar—Oscar is an excellent example of art deco, very popular when he was created in the late 1920s. Oscar is a knight holding a sword. He stands on a movie reel with quadrants representing five Academy disciplines—producers, directors, actors, technicians and writers. Oscar is 13 ½ inches high, weighing in at 8 ½ pounds. He’s made of solid metal that’s been gold plated. During World War II when metal was scarce, Oscar was made from painted plaster. These faux statuettes were exchanged for the real thing once the war was over. The Oscars handed out in 1929 are essentially the same as the ones awarded since.

 

Is Oscar really Oscar?—Actually, he’s formally known as the Academy Award of Merit. He has been handed out over 3,000 times since the first Academy Awards. The Academy website gives credit for his nickname to a former senior staff member, who upon seeing the statuette, commented that he “looked like her Uncle Oscar.” The name stuck.

 

The envelope, please!—Up until 1941, the Oscars didn’t have ceremonial envelopes containing the results of Academy voting. In fact, winners at the first ceremony in 1929 knew three months in advance that they’d won. The Academy began to keep the results secret in 1930 but pre-released them to the press for publication the next morning. In 1940, the LA Times did the unthinkable: It published the results before the guests even arrived. After that, the now famous sealed envelopes became standard.

 

Times have changed—The first Oscar ceremony lasted 15 minutes. The average Oscar telecast is three and half hours. How many times have you asked, “Did you stay up?”

 

Film Directing: Three Parts

Even though he or she may not actually say, “Lights, camera, action,” a film director (and his or her famed folding chair) are the heart and soul of a movie. The film director visualizes the script and controls the dramatic, other artistic and technical aspects necessary to bring his or her vision to the screen. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking.

 

Film Club! Get ready to focus on three contemporary film directors as part of this season’s Art of Cinema series on ZOOM. We’ll be looking at three films, each influenced by their directors’ life experiences:

Spike Lee: Do the Right Thing (1989)
Thursday, Nov. 11

Greta Gerwig: Lady Bird (2017)
Thursday, Jan. 13

Lee Isaac Chung: Minari (2020)
Thursday, Apr. 7 

 

Register to Join Us!

 

IMPORTANT!  You must re-register for 2021-2022 Film Club Zoom events, even if you were registered last season. You will need A NEW PERSONAL LINK FOR THE COMING SEASON! Once you register, your link will be sent to you in a confirmation email. Click the tab below to register!

 

If you haven’t yet registered for Film Club Zoom events, click the button below.
You only have to register once to gain access to all future discussion!

 

Click Here to Register for the 2021-2022 Season!

 

MORE ABOUT FILM CLUB ZOOM EVENTS

Please watch our movie before we meet to discuss. During our Zoom events, Fr. David Guffey, CSC, Director, Family Theater Productions, will discuss the films and the part film editing played in each. You will have plenty of time to share your opinions in the main room and in breakout groups. Fr. David will release a study guide prior to each event that will be sent to those on the Film Club email list. If you are not on the list, you can add your name through the next tab.

 

Join the E-mail List!

If you are not on the Film Club e-mail list and wish to receive promotion matierals for future events,  click the link below!

 

Click Here to Join Our E-mail List!

 

*Sample e-mail to the left!

 

 

Industry Insiders!

Calling all Industry Insiders!

Fr. David and the Film Club would be thrilled to receive your recommendations for guest speakers who are involved in some aspect of film making. If you know someone who you think would be an interesting guest, contact with your suggestions.
  

About Film Club

What is Film Club?

Screenings with Meanings

The Film Club brings together movie lovers for a monthly discussion on a selected film. The 2019-2020 theme is Art of Cinema and with each film is chosen not only for its meaning, but also in the context of a specific aspect of filmmaking (e.g., screenwriting, set decoration). It’s amazing how much more you can see once you begin to appreciate the techniques that make one film stand out from the rest.

 

The Film Club also hosts two seasonal events: A Holiday Party, featuring a classic Christmas movie, and Oscar Night, where we review the nominated films and vote for our “best picture of the year.” (Our track record for predicting the Oscar has been uncanny.)

 

The Film Club meets in the Grand Pavilion on the second Thursday of the month from September through May. Our discussions are led by Father David Guffey, CSC, Director, Family Theater Productions.

 

Season Schedule

2021-2022 Season: A Look Ahead

The Film Club Core Team will soon be finalizing all the movies for the 2021-2022 Art of Cinema series that will begin in September. Like many other St. Monica groups, we will continue to host Zoom events and offer in-person events. The preliminary schedule is below. Please note that our two most popular Film Club events—Christmas and our Oscar nominated film review—will be in-person as will be a season kickoff featuring the Family Theater Productions documentary: The House that Rob Built. As you might imagine, in-person events might differ in format from our pre-Covid gatherings.

 

Our Zoom gatherings will be focusing on film editing and directing over the course of the season. If you were a fan of the And the Winner Should Have Been… Oscar® format, we’ll be offering that experience in February via Zoom. (Can you imagine? Two Oscar nights in one season!) We will end the season once again with a classic film.

 

Get ready to vote! We’ll be asking Film Club members to choose our Christmas and classic movies. Details in the months ahead.

2021-2022 Film Club Schedule

Zoom Event Date	Topic & Film	Live Event Date	Topic & Film
Sep. 9	Film Editing: An American in Paris	Late Sep. - TBD	The House the Rob Built
Oct. 14	Film Editing: Moulin Rouge!
Nov. 11	Film Directing: TBD
		Dec. 9	Christmas - TBD
Jan. 13	Film Directing - TBD
Feb. 10	Oscar® Night - And the Winner Should Have Been
		Mar. 3	Oscar® Night: Review of the Nominated Films
April 7	Film Directing: TBD
May 12	Classic: TBD

 

 

 

That's a Wrap!

That's A Wrap: Do the Right Thing

Film Directing Part 1: Spike Lee and Do the Right Thing

Thursday, Nov. 11 | 7:00 p.m. via Zoom

THE DIRECTOR—Spike Lee grew up in Brooklyn, New York, an area that would work its way into many of his films. His mother, an enthusiastic supporter of black art and literature and his father, an African American jazz musician, helped establish their son’s African American identity at an early age. Throughout his career, Lee has been unafraid to take a critical look at race relations, political issues, urban crime and violence. From his earliest days as a filmmaker, he’s wanted his films to capture the black experience.

 

His early successes showed Hollywood that Lee’s films were bankable and helped create an industry-wide awareness of an untapped market niche. Thanks to his films, Hollywood began to open its doors to other African American filmmakers. Find out more about Spike Lee, his life and career, CLICK HERE.

 

THE FILM—It’s been said that the enduring power and relevance of Do the Right Thing would have secured Spike Lee a place in film history, even if he’d never made another film. When released in 1989, reviewer Roger Ebert said, “Anyone who walks into this film expecting answers is a dreamer or a fool. But anyone who leaves the movie with more intolerance than they walked in with wasn't paying attention.”

 

Director Lee, who was 32 when he made the film, is credited for his ability to artfully manage both drama and humor. The story takes place on what started as an ordinary—although extremely hot—day in Brooklyn’s Bedford-Stuyvesant neighborhood. The day ends in tragedy as racial tensions between the African American neighbors and an Italian American business owner bubble over after a young black man is killed by white police. The film’s social commentary on the effect that race has on police brutality is just as relevant today as in 1989.

 

The cast is pitch perfect and stars Lee in a key role as well as Danny Aiello, Ossie Davis, Ruby Dee, Samuel L. Jackson, Bill Dunn, John Turturro and then-newcomers, Martin Lawrence and Rosie Perez. The film is rich with characters who are very much part of their community, their neighborhood. They’ve been said to be “iconic and individual” at the same time. We get to know their faces, hear their voices and walk in their shoes through Lee’s witty, streetwise script.

2021 Survey: the Results Are In

Film Club! We’ve calculated the results of the 2020-2021 season-end survey. Thanks to the 74 respondents for your support, insightful comments, and some excellent suggestions. Here’s an overview of the results:

• Favorite film—Julie & Julia was the clear winner.
• Oscar® Night—There was a close race between those who preferred our 2021 format (And the winner should have been…) vs. our previous format (viewing and discussing trailers for the Best Picture nominees). A third group liked both! So, no clear results there.
• Film Club format—Again, we had a diversity of opinion. One camp said “in-person,” a similarly sized camp said “online,” and a third camp said they had no preference. The comment section led us to believe that those preferring the in-person Film Club events missed watching the movies together and getting out for the night, while those preferring the Zoom format commented on its convenience and the insightful conversation.
• Timing—Here’s something most people agreed on! The length of the Zoom events (about 1.5 hours average) was “just right.” We’ll keep this in mind as we plan our future in-person events which previously ran about 3 hours.

That's A Wrap: A Man for All Seasons

A Look Back at an Extraordinary Man 

Film Club is back from a whirlwind trip to Tudor England—and what a trip it was! We dropped in on Sir Thomas More in 1520 and became immersed in his controversy with King Henry VIII. More sacrificed his life rather than sanction the King’s schism with the Roman Catholic Church and his divorce from Catherine of Aragon.

 

This was our 2020-2021 season finale. We welcomed over 50 guests and, as you can imagine, the discussion focused on More’s unwavering integrity and faith as well as the superb filmmaking. A Man for All Seasons won six key Oscars and, looking at it 55 years after its release, you can see why it was such an awarded effort.

That's A Wrap: Oscar® Night

Over 60 Film Club fans turned up for our “reimagined” Oscar® Night on Apr. 8. Instead of focusing on this year’s  nominated films that few people have seen, we went back to yesteryear to look at films that some think “should have won” Best Picture honors. Four panelists and film experts, Clare Denk, Fr. Mike Russo, Brian Frates and Fr. David Guffey, made their cases to overturn previous Best Picture awards. A quick poll in breakout groups gave a nod to each of these panelists and their suggestions. Therefore, the Film Club is proud to announce that Best Picture awards should have gone to Wizard of Oz (1939), Citizen Kane (1941), Giant (1956) and Raging Bull (1980). The evening left plenty of time for participants to chat about disappointments that they’d experienced with past Oscars®, resulting in much animated—and definitely delightful—conversation. A special moment capped the evening: The Film Club awarded its first Lifetime Achievement Award. The recipient was our own Fr. David Guffey to honor his 30th Anniversary as a priest of the Congregation of Holy Cross.

 

That's a Wrap: Star Wars 

A long time ago in a galaxy far, far away ...

 

We took off on a galactic journey on Mar. 8 when we discussed 1977’s Star Wars and its ground-breaking special effects. The event brought lots of insightful conversation and shared memories…even Princess Leia and an Imperial officer showed up! Although the special effects in this first Star Wars are remarkable, especially for the time in which they were created, the essence of the story is what keeps the film a favorite for generations of movie goers. Fr. David Guffey, CSC, Director, Family Theater Productions, said, “It takes more than visual effects to make a movie impactful.” Star Wars’ enduring themes of honor, friendship and combating evil, as presented in its mythical universe, appeal to the best in us. The film challenges us and transports us. In writing about the film in 1977, critic Robert Ebert said, “…the magic of Star Wars is only dramatized by its special effects; the movie’s heart is in its endearingly human (and non-human) people.” (1977’s first Star Wars has been retitled Star Wars Episode IV—A New Hope since it now has three prequels.)

 

 

That's A Wrap: Amélie

Love was in the air… 

The Film Club shared a delightful evening on Feb. 11 talking about Amelie, the shy, clever and generous heroine of the movie that bears her name. As a child starved for love, she grew into a young woman living within herself…not sure how to find love. By happenstance, she realized she could find joy by cleverly and covertly helping others become happier. And, in the end, through the wisdom and concern of a neighbor with whom she shared time, she was able to take the big step and seek the love and affection that she so wanted. As discussion leader, Father David Guffey, said, “Amelie’s desire to make other people have more joyful lives eventually opens her up to love.” This charming, modern-day fairytale, set in a perfect Paris, has a happy ending for those who knew Amelie and for Amelie herself.

 

 

 

We're Back from the Desert...

The shimmering sands and endless vistas of the desert were the topic of discussion as the Film Club focused on the cinematography in the epic Lawrence of Arabia. The majestic landscape was itself a character in David Lean’s revered film and, with the help of discussion leader, Father David Guffey, we were able to envision the difficulties and intricacies of filming a movie of this magnitude in such a challenging environment.

 

The movie portrays the exploits (real and exaggerated) of British military man, T. E. Lawrence. Despite the grandeur of the film, it offers an intimate look at a time and place full of daring-do and political intrigue and a world in the midst of difficult cultural and economic transition. The portrait of Lawrence, played by then-newcomer Peter O’Toole, shows a man looking for his next success but not learning from his failures. His charisma won him followers. His exhibitionism earned him fame. His ego allowed him to be manipulated. And in the end, did anyone really know who he was…including himself?

 

Christmas Movies Lit Up the Night

The Film Club kicked off the holiday season with a look at a very American film genre, the Christmas movie. With all the Christmas movies from which to choose, there were several winners (all classics), when guests were asked to choose favorites in several categories:

• Best-ever movie Santa (number one choice): Edmund Gwenn who played Kris Kringle in Miracle on 34th Street (1947)
• Your personal “can’t-ever-miss” Christmas movie (too close to call): It’s a Wonderful Life (1946) and A Christmas Carol (multiple versions)
• Best Christmas movie angel (a toss-up): Cary Grant who played Dudley in The Bishop’s Wife (1947) and Henry Travers who played Clarence in It’s a Wonderful Life (1946).

 

The film version of a classic Christmas story was also discussed that night—O. Henry’s The Gift of the Magi. It was part of the 1953 film anthology, O. Henry’s Full House. You’ll remember, the story is about a young couple who each, unbeknownst to the other, sacrificed their most precious possessions to buy the other the perfect Christmas gift. Ironically, she sold her beautiful hair to buy him a chain for his heirloom watch and he sold his watch to buy her ornamental combs for her hair. The power of O. Henry’s writing—on- and off-the-screen—had the Film Club talking about the twist ending—and the power of love—103 years after the short story was first published.

 

After a night of Christmas films past, Father David Guffey, who led the night’s discussion, shared some meaningful thoughts. He said, “Wonderful things can happen if we leave room for them to occur, even in what may seem to be far off from the ideal Christmas. We’ve all seen how Christ can come in very unexpected ways. How can we make room for grace to break in? As we approach this Christmas, let us consider how we can be the angels, the Santa’s, the bearers of light? How can we bring grace into others’ lives?”

 

Julie & Julia Dished up a Great Evening!

The November Film Club served up a delightful feast for over 50 Film Club members who discussed Norah Ephron’sfilm, Julie & Julia. The movie centers on a contemporary food blogger, Julie Powell, and her culinary idol, Julia Child. Their connection was Julie’s famous cookbook, Mastering the Art of French Cooking, now approaching 2-million copies in print. As part of the Film Club’s Art of the Cinema series, our focus was the film’s costuming by Hollywood veteran, Ann Roth, that subtly and successfully bridged the time gap between the women’s lives and highlighted the parallel challenges they faced generations apart. One participant said, “I’ll never look at a movie the same again. It was really remarkable how the costumes helped tell the story and hold the film together.” 

 

Click Here to Download the November Discussion Guide!

That's a Wrap: Mission Accomplished

On Oct. 8, Film Club discussed the powerful film, The Mission, made even more so by the soaring score composed by the legendary Ennio Morricone. The music creates the backdrop for this compelling drama that depicts a time when church, state and greed created an unholy alliance in 18th century South America. The score artfully combines liturgical chorales, native drumming and Iberian-influenced music, giving voice to the various constituencies involved in the conflict that arose over a Jesuit mission, the indigenous Guarani it served, and the Portuguese who wished to conquer and exploit both.

 

Audience takeaways included the role the score plays in following the arc of the story, beginning with the simplicity of the melodious Gabriel’s Oboe to the complex On Earth as It Is in Heaven. Attention was also paid to the outstanding cinematography (it won the Oscar) and how it is made even more memorable by its musical accompaniment. Most agreed that The Mission is a remarkably moving film—one they won’t soon forget.

 

Hickory dickory dock…Hugo ran the clocks

September’s Film Club discussion of Martin Scorsese’s first (and only) family adventure—Hugo—kicked off our 2020-2021 Art of Cinema season on a truly positive and uplifting note. The winner of five Oscars, the movie centers on the exploits of an orphaned boy who secretly keeps the clocks running in a 1930’s Parisian train station. His solitary life changes when he is befriended by the adventurous Isabelle. Through his interaction with her and others (including an automaton!) and his need to fix things (including himself), Hugo eventually creates his own sense of belonging and positively influences the lives of others who frequent the station. One of the people he meets and impacts (and vice versa) is real-life French film pioneer, Georges Méliès, who is Isabelle’s grandfather. The film was a glimpse into Méliès’ genius that repurposed his considerable skills as a magician to those of an early and notable film producer. You can see Méliès’ ground-breaking 1902 adventure film, A Trip to the Moon, that’s featured in Hugo, here.

 

Hugo is adapted from Brian Selznick’s 2007 book The Invention of Hugo Cabret that spent 42 weeks on the New York Times best seller list for children. Selznick has some Hollywood in his blood: He is the grandson of legendary Hollywood producer, David O. Selznick. For more about the adapted screen play, check out Fr. Vince Kuna’s blog on the topic.

 

Hugo has many outstanding qualities, including its award-winning soundtrack. Two of its Oscars were for sound (best mixing and best editing)—while others were awarded for cinematography, production design and special effects. While acknowledging all of these technical accolades, many in the Film Club felt that Hugo and it's lasting appeal has more to do with the wonderfully told story about opening yourself up, reaching out and embracing the purpose of your life.

 

Click Here to Download the September 2020 Discussion Guide!

 

Just Mercy

The film, Just Mercy, was the focus of July’s virtual Film Club. Based on an actual case in the early career of Byron Stevenson, now an acclaimed public interest lawyer, the film shows not only Stevenson’s unbending desire to seek justice and mercy but also gives the viewer an unsettling glimpse of what it’s like to be helplessly and unjustly accused or imprisoned. The film, set in 1980s Alabama, portrays a justice system that often delivered just the opposite to the poor and people of color.

 

Joining in the conversation led by Fr. David Guffey, CSC, Director, Family Theater Productions, was Monsignor Torgerson and 77 Film Club followers eager to share their reactions to the movie. Fr. Guffey said, “Great storytelling in film offers us a way to live inside the life of other people to share in their experiences and so widen our perspective on life. Though the real events on which the film was based occurred over 30 years ago, the issues of race-based prejudice are remarkably contemporary. This makes the film especially important now. It is important to have the conversation we had at Film Club. It will be important to continue the conversations about race as we listen to the stories of people most affected, and together envision ways of reform based on the universal dignity of every person as a beloved child of God.”

 

Many also commented about Bryon Stevenson and his inspirational life’s work. One person said, “When you look at what he decided to do, you have to believe that he was guided by the Holy Spirit.” The Monsignor commented, “As a young man, he could have written his ticket and gone to any important law firm. Instead, he chose a more difficult and rewarding path.”

 

Indeed, Bryon Stevenson is the hero of the film and his work continues today. You may be interested in reading about two of his recent projects—a memorial and a museum in Montgomery, AL—designed to recognize the suffering of many while serving as a catalyst for informed, societal change. Click on the links to find interesting stories about The Legacy Museum and the Memorial to Peace and Justice.

 

The Film Club will not be discussing a movie with you in August so we can take the time to prepare for next season when our Art of Cinema series returns. We’ll be giving you news as it evolves at stmonica.net/filmclub—and we can hardly wait (as the old song goes…) to see you in September.

 

Little Women

It had been a long hot day leading up to the virtual Film Club on June 11, but you’d never know it listening to the animated discussion about Greta Gerwig’s Little Women. Fr. David Guffey led the discussion and Fr. Vince Kuna offered his perspectives, as he compared the book with the screen adaptation. Guests were given the chance to have an “around-the-dinner-table” discussion in break-out groups, before a general discussion that touched on Gerwig’s unique and contemporary approach to the classic story, the outstanding acting, character development, cinematography, set design, choreography and even the story’s backdrop: The Civil War. 

 

Click Here to Download the Discussion Guide for Little Women

 

Field of Dreams

It’s true. If you build it…they will come

Over 100 people joined the Film Club’s virtual get together on May 14, featuring Phil Alden Robinson, Director and Screenwriter of our film of the month, Field of Dreams. The conversation afforded an insider’s view of how the film evolved from a novel to a major motion picture and let us in on the challenges and rewards along the way. A big thank you to Phil Robinson, our guest, Fr. David, our moderator, and all of you who helped create such a wonderful evening.

 

 

Archive

 

 

 

2020-2021 Film Club Schedule
Date	Topic	Film
September 10	Sound	Hugo
October 8	Original Musical Score	The Mission
November 12	Costume Design	Julie & Julia
December 10	Holiday	O, Henry's Full House
January 14	Cinematography 1	Lawrence of Arabia
February 11	Cinematography 2	Amelie
March 11	Visual Effects	TBD
April 8	Oscars
May 13	Multiple Categories	A Man for All Seasons

 

 

• The Art of Cinema Series: 2019-2020 Season
  September	History of Film
  October	The Apartment  Screenwriting
  November	Vertigo Mis-en-scene
  December	Christmas in Connecticut
  January	City Slickers Set Decoration
  February	Oscar Night
  March	Julie & Julia* Costume Design
  April	Darkest Hour* Makeup
  May	A Man For All Seasons Classic*
  *Replaced by virtual Film Club discussions of Groundhog Day (March), Rear Window (April) and Field of Dreams (May).

   

  2018-2019 Season
  September	Gravity
  October	Cinema Paradiso
  November	Hidden Figures
  December	White Christmas
  January	Stan & Ollie
  February	Oscar Night
  March	A Man of His Word
  April	Of Gods and Men
  May	The African Queen

   

   

  2017-2018 Season
  September	The Way
  October	A Beautiful Mind
  November	A Man Called Ove
  December	The Bishops Wife
  January	The Post
  February	Oscar Night
  March	Nine to Five
  April	Inside Out
  May	Roman Holiday